Seth Glier’s new album Birds is steeped in conflict and contradictions. There’s grief and loss, but also strength and resilience; doubt and dismay, but also a sense of optimism as Glier confronts heavy topics and wrestles them into the daylight. He recorded Birds in an airy loft in western Massachusetts outfitted with a grand piano and floor-to-ceiling windows. Birds roost just outside those windows, on the roof of the converted mill building where he lives, and they became his sympathetic audience while Glier made the album. “I felt a tremendous amount of comfort talking to the birds,” he says “I’d check in with them regularly to see how they thought things were going so far.” Birds is Glier’s fifth album, and the latest entry in a burgeoning career that has included a Grammy nomination and a pair of Independent Music Awards while touring with artists including Ani DiFranco and Ryan Adams.
Birds began taking shape after Glier lost his brother, Jamie, who died in October 2015, and inspired a TED Talk performance that Glier gave in 2016. “My brother passing away was a huge component of where I was and what I was looking for,” Glier says. “In particular, I was looking for meanings, wanting his life to mean more than just being over.” For a long time afterward, he passed the time by writing songs and inspecting each melody with the feathered fellows by his windowsill. Instead of recording the album in a Los Angeles studio, as he did on his 2015 album If I Could Change One Thing, he decided to make Birds at home.
“I thought that I should just stay close to the windows here,” Glier says. “I think this sort of happened by accident, but by the time I started recording the record, it was fall in New England, which is a profoundly beautiful death. The air is full of honesty, the sky is full of geese, and there is bright gorgeousness woven into the dying of things. It all seeped into the textures of this record.”
With one of the tallest buildings – and most spectacular views – in town, the Hugh’s View rooftop terrace serves as The Studios’ creative space in the sky. The terrace sits four stories above street level and offers panoramic views of the island. The Kitwald Stage glows in the golden twilight of our sunset Old Town New Folk performances.
With original seating from its days as a Masonic temple, the Helmerich Theater has been updated to also include floor seating. As a black box theater, the set up is intimate but professional. The Old Town New Folk backdrop and set, created by Rick Worth, fill the room with a charming vibe and set the stage for concerts that leave guests feeling like they really got to know the performer.