Museum & Box Office Hours
Tuesday-Sunday, 10am-4pm (Dec-May)
Tuesday-Saturday, 10am-4pm (Jun-Nov)
Visitors can find us, tour our galleries and studios, and visit the rooftop at 533 Eaton Street.
Tuesday-Sunday, 10am-4pm (Dec-May)
Tuesday-Saturday, 10am-4pm (Jun-Nov)
Visitors can find us, tour our galleries and studios, and visit the rooftop at 533 Eaton Street.
Admission to our galleries and campus is always free of charge. As a non-profit, community organization, we offer discounted fees for classes, performances and events to members of The Studios. If you are interested in the benefits of membership learn more here!
From rooftop parties to business gatherings, The Studios offers a host of unique spaces to make your event one for the ages! Learn more here.
Using alternative materials and rooted in folk traditions, Smith’s works explore vulnerability and the resiliency of the human spirit through the lens of Caribbean society and culture.
Experience the historical charm and vibrant culture of Old Key West through intricate wood carvings. This exhibition captures the essence of Key West’s bygone days, depicting its unique architecture, lush landscapes, and colorful local life.
Every member of The Studios is invited to participate in our annual members’ exhibit, and the result is a bounty of creativity in every form and style imaginable. We don’t ask artists to make work about mangoes exactly, but we do hope that the work brings them – and you – similar joy.
image: Debra Hill
Inspired by nostalgia and personal reflection, Ganey’s art makes us wonder how much of what we see is influenced by who we are. Through her adept blend of the familiar and the contemplative, Ganey explores the shared and individual histories that shape our perceptions.
Mena Ganey is a self-proclaimed artistic weirdo hailing from the land of saguaro and snowbirds, aka Arizona. Stylistically, she describes her work as a hot mess of pop culture references, neon colors, and general chaos. As a firm believer in the power of humor, Mena infuses her work with plenty of irreverent jokes and tongue-in-cheek laughs. Her art often features bizarre animals and characters that are equal parts adorable and comical, as her paintings tackle everything from the absurdities of everyday life to the dark and twisted corners of the human psyche. Mena can usually be found holed up in her studio, surrounded by piles of books, random experiments, plants, and two cats, one of which actually likes her.
Experience the profound work of Emma MacLean, a chronically ill and disabled artist who visualizes pain through 78 meticulously crafted textile pieces. Each piece represents a specific word from the McGill Pain Questionnaire, a comprehensive tool used by medical professionals to measure and describe the qualities and intensity of pain. The words, sorted into 20 groups, range from “flickering”, “crushing,” “exhausting,” to “cruel.”
This exhibition also invites viewers to engage with a collaborative quilt, fostering a deeper connection and understanding of chronic pain. By interacting with this quilt, visitors can gain insight into the artist’s lived experience and challenge the isolation that pain so often causes. Each of us experience pain in a unique way, this shared quilt creates a space for empathy, community and connection.
Martini, more widely known for work in sculpture, will exhibit recent and past works on paper. In addition to his extensive career in sculpture he has carried on a parallel exploration in two dimensional works on paper consisting mainly of monoprints and drawings.
Sakagami encourages us to cherish one another, transcending differences in skin color, ethnicity, and language. This collection of abstract paintings reflects interconnectedness within our shared environment. It invites us to nurture our planet and aspire to a peaceful, cooperative future for the generations to come.
Stacey Johnson-Hardy delves into the spiritual and earthly dimensions of memory, hope, and struggle through her evocative clay figures. Her sculptures present a blend of dialogue and contemplation—some appear engaged in silent conversations, while others reflect in quiet solitude. Johnson-Hardy describes these figures as recurring characters from her childhood, embodying human anxieties and faults while being infused with the kindness of animal souls. Her work invites viewers to explore the intersections of personal and collective experience through tactile, symbolic forms.
Explore the intersection of history and art with digital collages inspired by LGBTQ publications of the 1940s and 1950s. This exhibition sheds light on the fight against oppression and its parallels with today’s socio-political climate, reflecting the enduring struggle for equality.
An independent consultant and artist working on a variety of art projects, Hunter O’Hanian was the Executive Director of the Stonewall National Museum and Archive in Fort Lauderdale, FL. Previously, he was the head of the College Art Association, the largest professional association supporting art historians and visual artists in the world. Prior to that, he was the founding Director of the Leslie-Lohman Museum of Gay and Lesbian Art, the only art museum devoted exclusively to artwork that speaks to the LGBTQ experience.
Prior to joining Leslie-Lohman, Hunter was the Director of the Foundation for Massachusetts College of Art and Design in Boston. Prior to that, he led two renowned artists’ residencies programs, having served as the President of Anderson Ranch Arts Center outside of Aspen, CO, and Director of the Fine Arts Work Center in Provincetown, MA, the largest residency program for emerging artists and writers in the United States. The Fine Arts Work Center permanently endowed a Fellowship in his name.
Hunter has a long career of non-profit board and community involvement. He is the past board chair of the Alliance of Artists Communities, the national membership organization for artists’ residency programs. Hunter graduated from Boston College and received his law degree from Suffolk University. He is presently working on a book of images and writings by Baltimore artist Amos Badertscher and a touring exhibition of works by Robert Giard called Queer Pioneers.
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