Classical Holidays with a View

Irie Monte and Crispin Campbell

Monday, December 9, 5:30pm

Hugh’s View

$40, $30 mbrs.

There’s no snow in the forecast for December, so join us on Hugh’s View for an evening of beautiful string music. Violinist Irie Monte and cellist Crispin Campbell present a special rooftop concert featuring classic holiday tunes and contemporary favorites.

Irie has been playing violin for over 20 years. She was blessed to have an amazing teacher from a young age when she began studying with Setsuko Nagata in New York. Inspired to pursue a career as a music teacher and performer, Irie went on to study music education at New York University. Since graduating from NYU with a Bachelors in Music, Irie has been traveling around the world, teaching, learning and embracing all of life’s experiences. In 2015, her travels brought her to Key West where she fell in love with the beautiful island life and community.

Cellist Crispin Campbell is known as “a musician who defies categories.” From his Michigan home, Crispin has a varied life performing a wide variety of music, from orchestral concerts and chamber music to jazz, bluegrass and Latin music. He taught for many years at Interlochen Arts Academy, where he mentored young cellists from all over the world to begin their own careers. Currently Crispin teaches at the Interlochen Cello Institute in June, the Clazz Music Festival in Tuscany in July, and the Semana de las Cuerdas in Medellin, Colombia in October. He was Visiting Professor of Cello at the University of Miami in 2022. While not performing and teaching, he enjoys traveling, cooking, reading history and spending time with his wife and family.

Over the Rhine

Old Town New Folk

Tuesday, March 4, 7pm

Helmerich Theater

$100 front row, $50, $40 mbrs.

Wednesday, March 5, 7pm

Hugh’s View

$100 front row, $60, $50 mbrs.

When you listen to Over the Rhine, the supremely talented musical couple comprised of Karin Bergquist and Linford Detweiler, you quickly fall under the spell of Karin’s timeless voice “which has the power to stop the world in its tracks” (Performing Songwriter). But then the songs start hitting you. Paste magazine writes, “Over the Rhine creates true confessional masterpieces that know neither border nor boundary” and included Bergquist and Detweiler in their list of 100 Best Living Songwriters. Rolling Stone recently wrote, Over the Rhine is a band “with no sign of fatigue, whose moment has finally arrived.” That’s quite a sentiment for a band celebrating 30 years of writing, recording, and life on the road. But as Karin Bergquist states, “There is still so much music left to be made.” Love & Revelation, the new album from Over the Rhine, is a record for right now. The songs have been rigorously road tested and burst at the seams with loss, lament, and resilient hope. The LA Times writes, “The Ohio based husband and wife duo has long been making soul-nourishing music, and the richness only deepens.”

Old Town New Folk is underwritten by Nick and Lorie Howley, with additional support from Doug and Sherri Montgomery, John and Marilyn Rintamaki, Nell Smets, and Michael Blades and Kathy Kilroy. Series sponsored by Blue Heaven

Listen on Spotify

Ellis Paul and Radoslav Lorković

Old Town New Folk

TUESDAY – ELLIS PAUL & RADOSLAV LORKOVIć

Tuesday, March 11, 7pm

Helmerich Theater

$75 front row, $50, $40 mbrs.

WEDNESDAY – ELLIS PAUL PLAYS SOLO

Wednesday, March 12, 7pm

Hugh’s View

$100 front row, $60, $50 mbrs.

Ellis Paul doesn’t just write songs; he’s a guitar-carrying reporter who covers the human condition and details the hopes, loves, losses of those he observes, turning their stories into luminous pieces of music that get under your skin and into your bloodstream. And much like the artists who have influenced him, everyone from Joni Mitchell, Bob Dylan and Paul Simon to the singer-songwriter who is undoubtedly his greatest inspiration, Woody Guthrie, Paul weaves deeply personal experiences with social issues and renders them as provocative works that are as timely as they are timeless. Born and raised in Maine, Paul attended Boston College on a track scholarship and in the evenings became a fixture on the city’s open mic circuit. After winning a Boston Acoustic Underground songwriter competition, he caught the ear of folk luminary Bill Morrissey, who produced his indie album Say Something in 1993. This led to a seven-album contract with Rounder Records and the 1994 album, Stories. His songs have appeared in several blockbuster films (Me, Myself, and Irene; Shallow Hal, Hall Pass) and have been covered by award winning country artists (Sugarland, Kristian Bush, Jack Ingram). Through a steady succession of albums of his own – a remarkable 23 releases so far – and a constant touring presence around the world, Paul’s audience has grown into a loyal legion of fans. Along the way, he has picked up an impressive number of awards including the prestigious Kerrville New Folk Award, 15 Boston Music Awards, An Honorary Doctorate from the University of Maine, the 2019 International Acoustic Music Awards Artist of the Year and most recently his album, The Storyteller’s Suitcase, was named the 2019 NERFA Album of the Year.

Drawing from a multitude of influences ranging from elegant classical and jazz styles to the rawest, most basic blues, country and soul, Radoslav Lorković has taken on an unusually broad musical spectrum and refined it into his distinctive piano style. His tenure on the R&B and folk circuits has culminated in five critically acclaimed solo recordings and numerous appearances on the recordings of and performances with artists including Odetta, Jimmy LaFave, Ribbon of Highway Woody Guthrie Tribute, Greg Brown, Richard Shindell, Ellis Paul, Ronny Cox, Dave Moore, Andy White, and Bo Ramsey. His thirty year touring career has led him from the taverns of the upper Mississippi River to the castles of Italy, The Canary Islands, The Yup’ik villages of Alaska, The Kennedy Center and Carnegie Hall. Influenced by his grandmothers, Antonija and Melita, who introduced him to Croatian folk songs and classical music, Lorković showed musical talent from a young age. Moving to the U.S. at six, he was poised for a classical music career until a friend taught him the blues scale at fourteen, igniting his passion for blues. By twenty, Lorković was touring with Bo Ramsey and the Sliders, mastering boogie-woogie and delving deeper into blues. He fused his classical heritage with blues and expanded his repertoire to include Tex-Mex and Zydeco accordion.

Old Town New Folk is underwritten by Nick and Lorie Howley, with additional support from Doug and Sherri Montgomery, John and Marilyn Rintamaki, Nell Smets, and Michael Blades and Kathy Kilroy. Series sponsored by Blue Heaven

Listen on Spotify

Dom Flemons

Old Town New Folk

Tuesday, January 14, 7pm

Helmerich Theater

$75 front row, $50, $40 mbrs.

Wednesday, January 15, 6pm

Hugh’s View

$100 front row, $60, $50 mbrs.

As a resolute preservationist, storyteller, and instrumentalist, Dom Flemons has long set himself apart by finding forgotten folk songs and making them live again. His work has been recognized with a GRAMMY Award, Two EMMY Nominations, and 2020 U.S. Artists Fellow. Dom Flemons is originally from Phoenix, Arizona and currently lives in the Chicago area with his family. He has branded the moniker The American Songster® since his repertoire of music covers over 100 years of early American popular music. Flemons is a songwriter, multi-instrumentalist, producer, actor, slam poet, music scholar, historian, and record collector. He is considered an expert player on the banjo, guitar, harmonica, jug, percussion, quills, fife and rhythm bones. Flemons is the host of the American Songster Radio show on Nashville’s WSM Radio. In 2022, he was awarded a degree as a Doctor of Humane Letters from his alma mater Northern Arizona University.

Available now, Traveling Wildfire is his first new album since 2018’s Black Cowboys and second for Smithsonian Folkways, he turns to an important, overlooked voice that he’s proudly rediscovered: his own. Asked what he hopes his audience will hear in Traveling Wildfire, Flemons replies, “I hope people will be able to hear the different phases of my life through the lyrics and feel the energy that fuels my creativity within the songs. The past few years for me have been a time of deep reflection and meditation. I hope that the album will light a fire of inspiration inside everyone who experiences it.”

Old Town New Folk is underwritten by Nick and Lorie Howley, with additional support from Doug and Sherri Montgomery, John and Marilyn Rintamaki, Nell Smets, and Michael Blades and Kathy Kilroy. Series sponsored by Blue Heaven

Listen on Spotify

Will Kimbrough

Old Town New Folk

Tuesday, February 4, 7pm

Helmerich Theater

$75 front row, $50, $40 mbrs.

Wednesday, February 5, 6pm

Hugh’s View

$100 front row, $60, $50 mbrs.

William Adams Kimbrough is an American singer-songwriter, multi-instrumentalist, and producer based in Nashville, Tennessee. Born in Mobile, Alabama, Kimbrough began his career with the college band Will & the Bushmen in the 1980s and later formed the Bis-Quits, releasing an album on John Prine’s Oh Boy Records. As a producer, he has worked with artists like Adrienne Young, Rodney Crowell, and Todd Snider.

Kimbrough’s songs have been recorded by Jimmy Buffett, Little Feat, and Jack Ingram, among others. Most recently, their co-written song “Bubbles Up” became Buffett’s first posthumous single and a viral hit. They’ve written more than twenty songs over the years, sometimes remotely trading notes and sometimes working together. Kimbrough has also collaborated with Rosanne Cash, Emmylou Harris, and Mark Knopfler. In 2004, he was named Instrumentalist of the Year by the Americana Music Association. Kimbrough co-founded the band Daddy and joined Trigger Hippy in 2012. He also formed Willie Sugarcapps with fellow Southern Alabama singer-songwriters. Kimbrough’s solo albums showcase his eclectic influences, from folk and blues to punk rock and jazz. His album Wings explores themes of family and career, while Americanitis features anti-war and anti-greed songs. His latest work includes a 2023 Blues Music Award-nominated song, “Too Far to Be Gone.”

Old Town New Folk is underwritten by Nick and Lorie Howley, with additional support from Doug and Sherri Montgomery, John and Marilyn Rintamaki, Nell Smets, and Michael Blades and Kathy Kilroy. Series sponsored by Blue Heaven

Listen on Spotify

Beth Nielsen Chapman

Old Town New Folk

Tuesday, March 18, 7pm

Hugh’s View

$100 front row, $60, $50 mbrs.

Wednesday, March 19, 7pm

Hugh’s View

$100 front row, $60, $50 mbrs.

Born in Harlingen, Texas, Beth Chapman grew up in a family of five, moving frequently due to her father’s Air Force career. Settling in Alabama in 1969, her musical journey began with a German guitar and songwriting amidst the turmoil of the Vietnam War and civil rights movement. Beth’s debut album, Hearing It First, recorded in Muscle Shoals, was released in 1980. Moving to Nashville in 1985, she wrote #1 hits for Tanya Tucker and Willie Nelson.

Her career includes critically acclaimed albums with Warner/Reprise and collaborations with artists like Emmylou Harris and Elton John. Following personal tragedies, she released Sand And Water, a moving reflection on loss. A breast cancer survivor, her album Deeper Still resonated deeply with fans.

Beth’s music spans genres, with notable works like Prism and the Grammy-nominated The Mighty Sky. Her 2018 album, Hearts Of Glass, showcases her lyrical depth. Inducted into the Songwriters Hall of Fame in 2016, Beth continues to inspire as a songwriter, teacher, and speaker, with her latest album, CrazyTown, was released in 2022.

Old Town New Folk is underwritten by Nick and Lorie Howley, with additional support from Doug and Sherri Montgomery, John and Marilyn Rintamaki, Nell Smets, and Michael Blades and Kathy Kilroy. Series sponsored by Blue Heaven

Listen on Spotify

John McCutcheon

Old Town New Folk

SORRY, DUE TO UNFORESEEN CIRCUMSTANCES, THESE SHOWS HAVE BEEN CANCELLED. WE ARE WORKING TO RESCHEDULE.

Tuesday, April 15, 7pm – Helmerich Theater

Wednesday, April 16, 8pm – Hugh’s View

John McCutcheon, a master of over a dozen traditional instruments, including the rare hammer dulcimer, is celebrated for his profound songwriting and engaging storytelling. With 30 recordings and seven Grammy nominations, John blends traditional and original music with community roots and political activism. His performances, spanning from major festivals and symphony pops to school auditoriums and farm rallies, are filled with energy and charm. Praised as folk music’s “Rustic Renaissance Man,” John’s concerts offer audiences a magical, intimate experience, connecting with listeners of all ages and backgrounds.

Old Town New Folk is underwritten by Nick and Lorie Howley, with additional support from Doug and Sherri Montgomery, John and Marilyn Rintamaki, Nell Smets, and Michael Blades and Kathy Kilroy. Series sponsored by Blue Heaven

Listen on Spotify

Henhouse Prowlers

Old Town New Folk

Tuesday, April 22, 7pm

Helmerich Theater

$75 front row, $50, $40 mbrs.

Wednesday, April 23, 8pm

Hugh’s View

$100 front row, $60, $50 mbrs.

With two decades proudly under their belts, the Prowlers’ sight remains fixed on the future. Ever constant in the group’s enthralling performances is their ability to showcase their passion for music and humanity. All four members possessing a knack for storytelling, compelling songwriting and intricate instrumentation, each offers the utmost artistic prowess, building on one another’s magic night after night. Reverence for tradition coupled with willingness to explore beyond the ordinary lands the Prowlers in a category difficult to define but explosively intriguing around every bend.

Their forthcoming record, ‘Unravel,’ out April 18, 2025, underscores the band’s resistance towards being contained, some tunes expressing a modern Americana feel with others nodding to classic country and bluegrass standards. On this newest offering, their trademark four-piece harmonies have only matured in tone and sincerity.

Audiences can expect an inspiring narrative at each show. To date, the Prowlers have toured 29 countries on 5 continents working with the U.S. State Dept and their own nonprofit, Bluegrass Ambassadors. The group’s experiences with people and musicians across the globe have shaped their worldview and bolstered the bridges they establish between cultures. For this troupe, the work doesn’t stop at music-making – they are actively striving toward a kinder world.

Old Town New Folk is underwritten by Nick and Lorie Howley, with additional support from Doug and Sherri Montgomery, John and Marilyn Rintamaki, Nell Smets, and Michael Blades and Kathy Kilroy. Series sponsored by Blue Heaven

Listen on Spotify

Susan Werner and Jonatha Brooke

Old Town New Folk

Tuesday, January 7, 7pm

Helmerich Theater

$100 front row, $50, $40 mbrs.

Wednesday, January 8, 6pm

Hugh’s View

$100 front row, $70, $60 mbrs.

Over the course of her twenty five year career, Susan Werner has earned a reputation as “one of the most innovative songwriters working today” (Chicago Tribune). With formidable chops on guitar (she began playing at age 5) and piano (she was a guest on Marian McPartland’s Piano Jazz), along with a graduate degree in voice performance, her shows are a one-woman master class in musicianship. Although best known as an acoustic songwriter that came up through coffeehouses and folk festivals, the Chicago-based artist has written songs in the style of Gershwin and Cole Porter (I Can’t Be New, 2004), gospel music (The Gospel Truth, 2007), traditional Cuban “son” (An American In Havana, 2016), and New Orleans junk piano (NOLA, 2019). In 2014 she composed the music and lyrics to the musical theater score Bull Durham, The Musical (MGM). Her songs have been recorded by Tom Jones, Michael Feinstein, and Shemekia Copeland, and her latest recording of originals, The Birds of Florida, took flight in 2022.

Jonatha Brooke is an acclaimed American folk rock singer-songwriter and guitarist from Massachusetts. Combining elements of folk, rock, and pop with poignant lyrics and complex harmonies, Brooke’s music has captivated audiences since the late 1980s. Her career began at Amherst College with Jennifer Kimball as the duo “The Story,” gaining attention for their witty wordplay and lush harmonies. They released two albums before Brooke pursued a solo career in 1994. Brooke’s solo debut, Plumb (1995), showcased her distinctive soprano and intricate songwriting. Despite industry challenges, she thrived independently, founding Bad Dog Records and releasing Jonatha Brooke Live (1999). Her albums, like Steady Pull (2001) and Careful What You Wish For (2007), reflect her evolution as an artist, marked by collaborations with renowned musicians and contributions to soundtracks, including Disney’s Return to Never Land. Brooke’s work often draws comparisons to Joni Mitchell and other 90s folk-rock talents. Her more recent projects include My Mother Has 4 Noses (2014), an off-Broadway play and album, and Midnight. Hallelujah. (2016). She continues to innovate and inspire, living in Minneapolis and producing music that resonates deeply with her audience.

Old Town New Folk is underwritten by Nick and Lorie Howley, with additional support from Doug and Sherri Montgomery, John and Marilyn Rintamaki, Nell Smets, and Michael Blades and Kathy Kilroy. Series sponsored by Blue Heaven

Listen on Spotify

Glow Hours on Hugh’s View

Free and open to the public!

Our Hugh’s View roof terrace offers the best views in town, and an ideal spot to catch the sunset and a drink with friends. The bar is open, admission is free, and everyone looks great in the golden twilight.

Mondays & Tuesdays, 6-8pm

Blackout dates: Monday, December 8; Monday, January 5; Monday, February 9

Tuesdays sponsored by Key West Business Guild

CHECK US OUT ON KEYTV!

Hugh’s View is proud to be a winner of the Danny Toppino “Business for Beauty” Award from the Key West Chamber of Commerce!

photos: Adam Gonzalez, Johnny White, sky by Iris Moore, marquee sign by Lynne Bentley-Kemp