Sumi-e: Expressive Ink Art

Masumi Sakagami

Sheets of paper with traditional Asian ink brush paintings, including a tree and bamboo leaves, beside a calligraphy brush and inkstone.

Friday, April 17, 10am – 12pm OR 1 – 3pm

Kat in the Hat Classroom

$65 (per session)

Sumi-e is more than technique—it’s philosophy. Learn the ancient East Asian art of ink painting through delicate brushwork and mindful attention. With an emphasis on line, gesture, and simplicity, this workshop introduces the expressive power of black ink and the beauty of each brushstroke.

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Instruction Style: Demo-Based | Guided Practice | Independent Work Time

Skill Level: All Levels

Encaustic Collage

Pamela Kostmayer

Abstract mixed-media painting in green and teal hues, with intersecting geometric shapes and layered translucent textures.

Saturday, March 28, 10am – 4pm

Kat in the Hat Classroom

$190 (includes $25 materials fee)

Explore the dynamic world of encaustic collage using hot wax, pigment, oil stick, and mixed media. You’ll layer and fuse materials to create richly textured, luminous pieces that feel sculptural and painterly at once. A great continuation for collage students or adventurous first-timers.

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Instruction Style: Hands-on | Demo-Based | Independent Work Time

Skill Level: Beginner to Intermediate

Myth and Material

Wendell Smith (PEAR)

A man stands smiling with arms loosely crossed in front of a large, colorful abstract painting. He wears a black long-sleeve shirt. The background artwork features bold shapes in reds, blues, and greens. He appears warm, confident, and approachable.

Monday & Tuesday, June 15 & 16, 11am – 3pm

Kat in the Hat Classroom

$115

Reflect on your personal connection to Key West through story and light. After a short discussion on memory and place, participants use cyanotype to create images layered with emotion and meaning. A quiet, poetic way to make your mark.

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Instruction Style: Lecture-Based | Reflective | Project-Focused

Skill Level: All Levels

Expressive Faces for the Wall

Stacey Johnson Hardy

Textured ceramic wall sculpture of a face with layered earthy tones, detailed features, and organic shapes forming a headdress.

Saturday, March 28, 10am – 2pm

ClaySpace, 5700 4th Avenue (Stock Island)

$165

Create bold, expressive wall masks using slab and pinch techniques in this dynamic ceramic workshop. Working in clay, you’ll sculpt animal or human faces, experiment with mark-making, and apply surface finishes like underglazes, slips, and washes. Students are encouraged to bring ideas or sketches to discuss with the instructor. Each person will complete two sculptural heads, approx. 6–8″ tall. Finished work will be ready for pickup or shipping about three weeks after class.

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Instruction Style: Hands-on | Guided Practice | Project-Focused

Skill Level: All Levels

It Always Grows

Ian J. Welch

Textured monochrome print showing a dense cluster of branches with jagged cutouts, giving the impression of fragmented or eroded wood.

Opens Thu Jan 8, 6-8pm

On view January 8-29, 2026

Zabar Lobby Gallery

sponsored by Jag Gallery

Ian J. Welch reflects on the tension between human boundaries and the persistence of the natural world. Through printmaking, drawing, and handmade paper incorporating materials gathered from the landscapes he studies, Welch documents spaces in transition—both lush and scarred, naturally evolving and human-altered.

His work emerges from hours of on-site observation and photography, focusing on “liminal spaces” where multiple transitions occur at once: subtle shifts in vegetation, abrupt incursions of concrete or fencing, the layered marks of unchecked progress. The resulting images, printed in hand-pulled editions, meditate on our vulnerability to nature’s power and our own greed, while affirming the resilience of the living world. Whether framed or unframed, each work offers a tactile record of place and moment—reminders that nature always finds a way forward.

image: “Times Yet Seen” (intaglio with relief and serigraphy with papier colle, 12” x 12”, 2022).

Beneath the Surface

Tracey DeLellis

Five elongated ceramic pieces mounted on a wall, textured with wave-like and coral-like patterns in cream and turquoise tones.

Opens Thu Apr 2, 6-8pm

On view April 2-30, 2026

Zabar Project Gallery

Ceramic artist Tracey DeLellis translates the vivid colors, shifting textures, and quiet rhythms of Key West’s coastal landscapes into hand-built, high-fired sculpture. Layered glazes in oceanic blues, sandy whites, and weathered grays evoke coral reefs, tidal pools, and eroded stone—forms that feel at once familiar and abstract, grounded in close observation yet shaped by memory and intuition.

Each piece invites slow looking. Subtle cracks, asymmetries, and shifts in tone echo the fragile ecosystems surrounding the island. At once a personal meditation and a community offering, this exhibit encourages viewers to recognize the beauty and vulnerability that coexist along Key West’s shores.

Once There Was a Railroad

Wayne Garcia

Folk-style painting and woodcut of a black steam train with bright yellow passenger cars crossing a bridge over turquoise water, with palm trees, houses, rowboats, and birds adding detail.

Opens Thu May 7, 6-8pm

On view May 7-28, 2026

Zabar Lobby Gallery

sponsored by Great Events Catering

Master woodcarver Wayne Garcia brings to life the monumental story of Flagler’s Overseas Railroad through a series of colorful, shallow relief carvings. Drawing on the folk art tradition of his mentor, Mario Sanchez, Garcia etches vivid scenes of the railroad’s construction across the Florida Keys, honoring the local Key West residents whose labor shaped this feat of engineering between 1906 and 1912.

A third-generation Cuban American, Garcia has shared his artistry in both New York City and Havana, giving carving demonstrations at the American Folk Art Museum and carrying forward a celebrated Key West craft tradition. This exhibition is paired with a one-night lecture by the artist on Friday, May 22, offering personal stories, historical insight, and a deep sense of place to accompany these intricate, hand-carved works.

Roots of a City

Andrée B. Carter

Abstract artwork with small white and blue buildings set against a dense black lace-like pattern over teal and blue vertical stripes.

Opens Thu May 7, 6-8pm

On view May 7-28, 2026

Zabar Project Gallery

sponsored by Hands On

Andrée B. Carter reimagines eight cities she has visited or called home, translating their essence into large-scale textile paintings that hang like vibrant, architectural tapestries. Each 48 x 60” work blends painting, needlepoint, and collage, abstracting architectural details, colors, and textures into narratives that reflect the mood and identity of a place without dictating how it should be seen.

Carter’s process fuses the craft of needlepoint with the tradition of mixing dry pigments, challenging the hierarchy of “high” and “low” art by placing threadwork on equal footing with paint. During her 2024 PEAR residency at The Studios, she immersed herself in the island’s colors, architecture, and natural environment, developing Queen Conch—a work incorporating collage elements gathered locally, from vibrant ephemera to weathered fragments. Installed on walls or suspended so viewers can walk among them these pieces invite close observation of both their layered making and meaning. Through carefully chosen color palettes and reimagined cityscapes, Roots of a City offers clues, not conclusions, encouraging each viewer to map their own connection to place.

Reverence / Irrelevance

Carole Faye

Mixed-media collage of a shirtless man resting beside a bicycle, created with layered newspaper clippings and paint, set against a rocky shoreline and ocean background.

Opens Thu May 7, 6-8pm

On view May 7-28, 2026

XOJ Gallery

sponsored by Café Marquesa

Local artist Carole Faye transforms scavenged and found materials into paintings and sculptures that speak to nostalgia, place, and personal evolution. Working with fragments of vintage Florida Keys marketing materials, discarded ephemera, and objects collected from her surroundings, Faye reimagines the commonplace as unique treasures, each piece carrying the history of where it was found and the life it once lived.

Her practice is rooted in a deep connection to place, shaped by her years in New York, Shanghai, and now Key West. For Faye, the act of gathering materials is as important as the finished work, anchoring each piece in a specific time and location. These familiar yet ethereal assemblages invite reflection on how experiences transform us and how we can remake ourselves from what is broken or cast aside. Through resourcefulness and reinvention, Faye’s work challenges perceptions of value, celebrates resilience, and honors the quiet beauty in the overlooked.

Touch Tank

Hannah Keats

Layered biomorphic shapes with spotted textures in black, cream, and blue, arranged like cellular structures on a pale background.

Opens Thu Mar 5, 6-8pm

On view March 5-26, 2026

Zabar Project Gallery

sponsored by Key West Collective

Hannah Keats presents a new series of abstract sculptural paintings inspired by the tactile wonder of aquarium touch tanks, snorkeling excursions in the Florida Keys, and coral specimens collected along Florida’s coastline. These immersive works merge natural materials like shark teeth, shells, sand, and stingray barbs with digitally fabricated surfaces, creating layered compositions that pulse with the rhythms and textures of marine ecosystems.

Drawing from both the organic and the digital, Keats explores the intricate systems that connect life below the surface and the networks we build above it. By blending hand-painted coral forms with CNC-routed structures and laser-cut designs, she creates sculptural paintings that reflect the complexity, fragility, and interdependence of nature.