For more information about the artists, please click on the images below.
Megan Mosholder
Installation artist
Atlanta, GA
Honor Petrie
Visual Artist
Inverness, Scotland
Austen Osworth
Novelist
New York, NY
Megan Mosholder
Installation artist
Atlanta, GA
Megan Mosholderis a graduate of the Savannah College of Art and Design with an MFA in painting. She has received numerous awards from institutions such as the Foundation for Contemporary Arts, the Haven Foundation and the Paul J. Smith Award of Excellence. Her diverse exhibition history spans multiple countries including an installation in Sydney, Australia (2017), a body of site-specific work that speaks of the lasting impression a fully immersive, multi-sensory artwork can leave on a viewer.
Megan is also a burn survivor. In September 2018, Megan flipped her car and the gas tank ignited with the artist trapped inside. She was burned over 60 percent of her body and although her accident does not define who Megan is as an artist, she cannot deny that it has influenced her work in a number of ways, one of which is her mobility. Regardless, Megan continues to reach for the sky through her large-scale installations and works with a crew of assistants to bring these works to life. Megan currently resides in Atlanta, GA where she is a Professor at Kennesaw State University and an Artist in Residence at the Skylark.
Austen Osworth
Novelist
New York, NY
A.E. Osworth’s debut novel, We Are Watching Eliza Bright, about a game developer dealing with harassment (and narrated collectively by a fictional subreddit) is forthcoming from Grand Central Publishing (April 2021). They spent seven years working for Autostraddle in varying roles, including as Contributor, Staff Writer, and Geekery Editor, where they mainly focused on the intersection of queerness and technology. In addition, you can find their work on Guernica, Quartz, Electric Literature, Paper Darts, Mashable, drDoctor and Argot Magazine. You can take classes with them at Catapult (where they’re leading fiction- and literature-focused courses) and at Fledgling (where they lead the creative-non-fiction-focused generative workshops) and at The New School (where they teach digital storytelling).
photo by Lou F. Bank
Honor Petrie
Visual Artist
Inverness, Scotland
Water captivates Honor Petrie creatively, her mind is bewitched to its visually powerful appearance. She uses water as a metaphor and medium to explore the fragile relationship between human perception and nature. Employing the effects of chromostereopsis with water, her installations present a celestial environment where light, colour and space melt together — a coming together of minds and nature’s elements.
“Water swirls, twists, distorts. The smooth black liquid moves quick. Immersing all in its path. It swells and disintegrates with immense weight, crashing and tearing down all in its power. Watching, the mind begins to feel the water’s movements, following its ever changeable patterns. The mind tries to connect as one yet is refused. Each rise and fall reveals the mind’s powerlessness and vulnerability. The surrounding space begins to encircle the body, submerging it. Isolated and disconnected, the mind transforms the water into a torrent, dominating its environment, overwhelming any sense of space, leaving behind a strange and anonymous landscape.”
WOODSHOP RULES
No jerks allowed. The Woodshop is a shared space. Be mindful, respectful and patient with the people around you. Keep your space tidy and leave time to clean up before you’re done. The Woodshop Monitor is in charge, but is a human being too, so be nice.
No drinking or drugs. Consumption of alcohol or any substances which may impair judgment or coordination, including medications, are strictly forbidden while any tools are in use, including by others. Similarly, no one under the influence of substances consumed elsewhere is allowed in the Woodshop while tools are in use, including by others.
Keep food outside. You can eat at the tables outside, but keep food and drink (except water) outside of the Woodshop.
Supervision Required. The Woodshop may only be used in the presence of a Monitor who has been designated by The Studios.
Authorization Required. You may only use equipment and tools for which you’ve been authorized by a Woodshop Monitor.
Dress appropriately. Shoes with closed toes required while using tools. No dangling jewelry or clothing, and long hair should be pulled back. Eye covering is required while using power tools.
Know your materials. Know whether any materials you use are toxic, corrosive or flammable. No pressure treated wood. Store and dispose of them properly. Not sure? Read the label or ask the Monitor.
Know where the First Aid Kid is. And report any injuries to the Monitor.
WOODSHOP TOOLS
What We Have…
36” Band saw (Northfield)
Drill press (Delta)
8” Joiner (Powermatic)
Planer (Newman)
Radial arm saw (Dewalt)
Shaper-large (Powermatic)
Shaper-smaller (Grizzly)
10” Table Saw (Powermatic)
Lathe
Tabletop sander
Portable chop saw
Blades – various kinds
Clamps – various kinds
Fasteners – various kinds
Handheld drills
Handheld jigsaws
Work tables
… And What You’ll Need
Sandpaper (can be purchased at the Woodshop)
Blades and bits beyond ordinary use
Fasteners (eg. nails and screws) beyond ordinary use
HOW TO GET HERE
Address: 6810 Front Street, Key West, FL 33040
We’re located in Safe Harbor Marina on Stock Island, just down the docks from Hogfish Bar & Grill.
Shop Time Rates
$30/half day (up to 4 hours)
$50/full day (up to 8 hours)
$180/week (up to 5 days)
$550/month
Payments
Pay for your Shop Time online using the link you receive, or by phone at 305-296-0458 during The Studios regular Box Office Hours (Tue-Sat, 10am-4pm). Bookings must be confirmed by payment at least 24 hours in advance.
Cancellations
If you need to cancel or change your time, email woodshop@tskw.org right away.
Bookings may be cancelled and refunded up to 7 days prior to the booking.
Bookings may be changed to a later date at no additional cost, if notification is received at least 24 hours prior to the original booking.
No refunds will be issued if cancellation is not received at least 24 hours in advance.
SPECIALTY HARDWOODS FOR SALE
A limited selection of specialty hardwoods can be purchased from the Woodshop. Email woodshop@tskw.org for inquiries.
Grade A (eg. XXX, XXX) – $XX/foot
Grade B (eg. XXX, XXX) – $XX/foot
Grade C (eg. XXX, XXX) – $XX/foot
Hugh's View Rooftop
With one of the tallest buildings – and most spectacular views – in town, the Hugh’s View rooftop terrace serves as The Studios’ creative space in the sky. The terrace sits four stories above street level and offers panoramic views of the island. The Kitwald Stage glows in the golden twilight of our sunset performances.
Hugh’s View offers:
—Smaller audience sizes
—Outdoor environment
—Intimate experiences
—A rooftop bar that opens one hour prior to show time
Helmerich Theater
With original seating from its days as a Masonic temple, the Helmerich Theater has been updated to also include floor seating. As a black box theater, the set up is intimate but professional, and sets the stage for concerts and performances that leave guests feeling like they really got to know the performer.
Helmerich Theater offers:
—More space and comfortable chairs
—Indoor comforts
—Intimate experiences
—A walk-up counter bar that opens one hour prior to show time
Residency Interest
The period for applying to 2021/22 residencies is now closed. We will begin accepting residencies for the 2022/23 season, which runs from September 2022-August 2023, in January 2022. If you would like to be notified by email when the application period opens again, please fill out this form.
With one of the tallest buildings – and most spectacular views – in town, the Hugh’s View rooftop terrace serves as The Studios’ creative space in the sky. The terrace sits four stories above street level and offers panoramic views of the island. The Kitwald Stage glows in the golden twilight of our sunset performances.
With original seating from its days as a Masonic temple, the Helmerich Theater has been updated to also include floor seating. As a black box theater, the set up is intimate but professional, and sets the stage for concerts and performances that leave guests feeling like they really got to know the performer.