For more information about the artists, please click on the images below.
Elizabeth Bernstein
Writer
Miami, FL
Joseph Cassara
Writer
Fresno, CA
Sandra Williams
Artist and scholar in public life
Lincoln, NE
Elizabeth Bernstein
Writer
Miami, FL
In more than a decade at The Wall Street Journal, Bonds columnist Elizabeth Bernstein has covered education, philanthropy, psychology and religion – all areas in which personal relationships loom large. In her work, she has ranged far and wide, from exposing the backlash against excessive emailing of baby photos to a detailed narrative reconstruction of a matricide. She has received awards from organizations including the New York Chapter of the Society of Professional Journalists’ Deadline Club, the Education Writers Association and the American Psychoanalytic Association. Now, Elizabeth is using her acquired insights and expertise to explore the manifold aspects of human interactions, whether at home, at work or among friends.
Previous to her current position, Elizabeth was a reporter for the Journal’s Weekend Journal section, where she wrote about religion and higher education and focused on national trends. She also launched a weekly philanthropy column at the Journal and served as the Journal’s philanthropy reporter.
Before joining the Journal in 2000, Elizabeth wrote for various publications, including New York Magazine, Forbes, the Chicago Tribune, the Village Voice and Publisher’s Weekly.
Elizabeth received a bachelor’s degree in journalism and English from Indiana University and a master’s degree in journalism with honors from Columbia University. In June, 2008, she completed a Knight Science Journalism Fellowship at MIT, which focused on brain science. She lives in Miami, where she is an avid sailor and scuba diver.
Joseph Cassara was born and raised in New Jersey. He holds degrees from Columbia University and the Iowa Writers’ Workshop. He is the author of THE HOUSE OF IMPOSSIBLE BEAUTIES (Ecco, 2018) which is a finalist for the Lambda Literary Award in Gay Fiction, the Edmund White Award for Best Debut Novel, and was the winner of the National Arts & Entertainment Journalism Award for Best Fiction Book of 2018.He has been the recipient of fellowships from the MacDowell Colony and the Fine Arts Work Center in Provincetown. He is currently an assistant professor of creative writing at the California State University, Fresno.
Sandra Williams
Artist and scholar in public life
Lincoln, NE
Sandra Williams is a visual artist that works across a broad range of mediums including cut paper, Community Art, murals and painting. Her work has been exhibited at SOFA New York, Ann Nathan Gallery in Chicago, the Museum of Contemporary Art in St. Louis, Missouri and National Amazon University in Puerto Maldonado, Peru. Her work is included in the Howard Tullman Collection, The Museum of Contemporary Craft in Portland Oregon and several private collections. She has been an artist in residence at BigCi (Bilpin International Ground for Creative Investigation, Australia) Arquetopia, Puebla, Mexico, Wayfarers, New York, New York, The Contemporary Crafts Museum in Portland, Oregon and with the Amazon Conservation Association in Madre de Dios, Peru. Recognition for her work in Community Arts includes a Mayor’s Art Award, ten Parents Association Awards for Contributions to Students, and two Hixson-Lied Awards for Outreach, Engagement and Service. Her most recent work contains variations on the theme of ecotone, the area where two communities meet and integrate. Traditionally, the term refers to ecological communities, such as the zone where the plains and desert meet the rainforest and the biodiversity that occurs there. Yet it can also refer the zone where “nature” and “culture” intersect—where city meets the preexisting natural environment and the tension resulting from this intersection. It may also refer to a metaphorical overlapping of narrative and place. The cut paper works tell an urgent, timely store that words alone cannot hold. The arts have long communicated issues, influenced and educated people, and challenged dominant paradigms by providing a throughway to share subtle narratives, hidden stories. Where words fail, visual arts provide a conducive atmosphere for receiving information, encouraging people to reflect on unpalatable topics through the lens of aesthetics. The work in Ecotone brings somber but vital content—remote, endangered landscapes and disappearing species—to new audiences.
Additional work includes social practice projects that range from working with incarcerated populations on the improvement and development of soft goals to large scale events engaging 800-1500 community members on activities that mainstream marginalized populations.
SPECIALTY HARDWOODS FOR SALE
A limited selection of short length (4′ or less) specialty hardwoods (mostly Cuban Mahogany) can be purchased from the Woodshop. Email woodshop@tskw.org for inquiries.
For a wider variety in wood types and length, we recommend our friend on Big Coppitt, Mike. He has a great selection and is nearby. His phone number is (305) 797-5747.
WOODSHOP RULES
No jerks allowed. The Woodshop is a shared space. Be mindful, respectful and patient with the people around you. Keep your space tidy and leave time to clean up before you’re done. The Woodshop Monitor is in charge, but is a human being too, so be nice.
No drinking or drugs. Consumption of alcohol or any substances which may impair judgment or coordination, including medications, are strictly forbidden while any tools are in use, including by others. Similarly, no one under the influence of substances consumed elsewhere is allowed in the Woodshop while tools are in use, including by others.
Keep food outside. You can eat at the tables outside, but keep food and drink (except water) outside of the Woodshop.
Supervision Required. The Woodshop may only be used in the presence of a Monitor who has been designated by The Studios.
Authorization Required. You may only use equipment and tools for which you’ve been authorized by a Woodshop Monitor.
Dress appropriately. Shoes with closed toes required while using tools. No dangling jewelry or clothing, and long hair should be pulled back. Eye covering is required while using power tools.
Know your materials. Know whether any materials you use are toxic, corrosive or flammable. No pressure treated wood. Store and dispose of them properly. Not sure? Read the label or ask the Monitor.
Know where the First Aid Kid is. And report any injuries to the Monitor.
WOODSHOP TOOLS
What We Have…
36” Band saw (Northfield)
Drill press (Delta)
8” Joiner (Powermatic)
Planer (Newman)
Radial arm saw (Dewalt)
Shaper-large (Powermatic)
Shaper-smaller (Grizzly)
10” Table Saw (Powermatic)
Lathe
Tabletop sander
Portable chop saw
Blades – various kinds
Clamps – various kinds
Fasteners – various kinds
Handheld drills
Handheld jigsaws
Work tables
… And What You’ll Need
Sandpaper (can be purchased at the Woodshop)
Blades and bits beyond ordinary use
Fasteners (eg. nails and screws) beyond ordinary use
HOW TO GET HERE
Address: 6810 Front Street, Key West, FL 33040
We’re located in Safe Harbor Marina on Stock Island, just down the docks from Hogfish Bar & Grill.
Shop Time Rates
$30/half day (up to 4 hours)
$50/full day (up to 8 hours)
$180/week (up to 5 days)
$550/month
Payments
Pay for your Shop Time online using the link you receive, or by phone at 305-296-0458 during The Studios regular Box Office Hours (Tue-Sat, 10am-4pm). Bookings must be confirmed by payment at least 24 hours in advance.
Cancellations
If you need to cancel or change your time, email woodshop@tskw.org right away.
Bookings may be cancelled and refunded up to 7 days prior to the booking.
Bookings may be changed to a later date at no additional cost, if notification is received at least 24 hours prior to the original booking.
No refunds will be issued if cancellation is not received at least 24 hours in advance.
Hugh's View Rooftop
With one of the tallest buildings – and most spectacular views – in town, the Hugh’s View rooftop terrace serves as The Studios’ creative space in the sky. The terrace sits four stories above street level and offers panoramic views of the island. The Kitwald Stage glows in the golden twilight of our sunset performances.
Hugh’s View offers:
—Smaller audience sizes
—Outdoor environment
—Intimate experiences
—A rooftop bar that opens one hour prior to show time
Helmerich Theater
With original seating from its days as a Masonic temple, the Helmerich Theater has been updated to also include floor seating. As a black box theater, the set up is intimate but professional, and sets the stage for concerts and performances that leave guests feeling like they really got to know the performer.
Helmerich Theater offers:
—More space and comfortable chairs
—Indoor comforts
—Intimate experiences
—A walk-up counter bar that opens one hour prior to show time
Residency Interest
The period for applying to 2021/22 residencies is now closed. We will begin accepting residencies for the 2022/23 season, which runs from September 2022-August 2023, in January 2022. If you would like to be notified by email when the application period opens again, please fill out this form.
With one of the tallest buildings – and most spectacular views – in town, the Hugh’s View rooftop terrace serves as The Studios’ creative space in the sky. The terrace sits four stories above street level and offers panoramic views of the island. The Kitwald Stage glows in the golden twilight of our sunset performances.
With original seating from its days as a Masonic temple, the Helmerich Theater has been updated to also include floor seating. As a black box theater, the set up is intimate but professional, and sets the stage for concerts and performances that leave guests feeling like they really got to know the performer.