Sumi-e: Expressive Ink Art

Masumi Sakagami

Sheets of paper with traditional Asian ink brush paintings, including a tree and bamboo leaves, beside a calligraphy brush and inkstone.

Friday, April 17, 10am – 12pm OR 1 – 3pm

Kat in the Hat Classroom

$65 (per session)

Sumi-e is more than technique—it’s philosophy. Learn the ancient East Asian art of ink painting through delicate brushwork and mindful attention. With an emphasis on line, gesture, and simplicity, this workshop introduces the expressive power of black ink and the beauty of each brushstroke.

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Instruction Style: Demo-Based | Guided Practice | Independent Work Time

Skill Level: All Levels

Creating a Sculptural Head with Clay

Stacey Johnson Hardy

Textured ceramic sculpture of a head with muted colors of yellow, teal, and rust, featuring a crown-like top.

Friday & Saturday, February 6 & 7, 10am – 2pm

ClaySpace, 5700 4th Avenue (Stock Island)

$235

Use the coiling method of hand-building to bring a sculptural head to life in clay. Artists will work expressively and explore surface, texture, and mark-making to reveal the form within. Choose to work realistically or abstractly—this is your chance to play, push boundaries, and see where the clay takes you. Students are encouraged to bring sketches or reference materials to discuss ideas and approaches. Finished heads will measure approximately 12–14″ and will be available for pickup or shipment three weeks after class.

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Instruction Style: Demonstration | Guided Practice | Hands-on Sculpting

Skill Level: Beginner to Intermediate

Encaustic Collage

Pamela Kostmayer

Abstract mixed-media painting in green and teal hues, with intersecting geometric shapes and layered translucent textures.

Saturday, March 28, 10am – 4pm

Kat in the Hat Classroom

$190 (includes $25 materials fee)

Explore the dynamic world of encaustic collage using hot wax, pigment, oil stick, and mixed media. You’ll layer and fuse materials to create richly textured, luminous pieces that feel sculptural and painterly at once. A great continuation for collage students or adventurous first-timers.

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Instruction Style: Hands-on | Demo-Based | Independent Work Time

Skill Level: Intermediate

Myth and Material

Wendell Smith (PEAR)

A man stands smiling with arms loosely crossed in front of a large, colorful abstract painting. He wears a black long-sleeve shirt. The background artwork features bold shapes in reds, blues, and greens. He appears warm, confident, and approachable.

Monday & Tuesday, June 15 & 16, 11am – 3pm

Kat in the Hat Classroom

$115

Reflect on your personal connection to Key West through story and light. After a short discussion on memory and place, participants use cyanotype to create images layered with emotion and meaning. A quiet, poetic way to make your mark.

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Instruction Style: Lecture-Based | Reflective | Project-Focused

Skill Level: All Levels

Expressive Faces for the Wall

Stacey Johnson Hardy

Textured ceramic wall sculpture of a face with layered earthy tones, detailed features, and organic shapes forming a headdress.

Saturday, March 28, 10am – 4pm

ClaySpace, 5700 4th Avenue (Stock Island)

$165

Create bold, expressive wall masks using slab and pinch techniques in this dynamic ceramic workshop. Working in clay, you’ll sculpt animal or human faces, experiment with mark-making, and apply surface finishes like underglazes, slips, and washes. Students are encouraged to bring ideas or sketches to discuss with the instructor. Each person will complete two sculptural heads, approx. 6–8″ tall. Finished work will be ready for pickup or shipping about three weeks after class.

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Instruction Style: Hands-on | Guided Practice | Project-Focused

Skill Level: All Levels

Collage with Color

Pamela Kostmayer

Layered collage of textured papers and old letters in shades of green, yellow, purple, and orange.

Saturday, February 28, 10am – 4pm

Kat in the Hat Classroom

$135 (includes $25 materials fee)

Curate and create your own layered collage artwork using richly colored materials and mark-making tools. This intuitive class blends tactile exploration with painterly finish, inviting students to build compelling compositions through shape, texture, and line.

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Instruction Style: Hands-on | Project-Focused | Exploratory / Experimental

Skill Level: All Levels

Encaustic Monotype

Pamela Kostmayer

Black and white abstract ink strokes with splattered and dripping textures.

Saturday, January 17, 10am – 4pm

Kat in the Hat Classroom

$190 (includes $25 materials fee)

Explore encaustic monotype—the alchemy of wax, pigment, and paper. You’ll paint, draw, and print directly on heated surfaces to create layered one-of-a-kind prints, using translucent or opaque papers. Techniques include collage, stamping, and mark-making with hot tools and mixed media. No prior print experience needed, but some comfort with materials is helpful.

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Instruction Style: Demo-Based | Guided Practice | Independent Work Time

Skill Level: Intermediate

Introduction to Relief Printmaking

Ian J. Welch

Hands rolling black ink onto carved linoleum blocks featuring floral designs.

Wednesday, January 7, 3 – 6pm

Kat in the Hat Classroom

$100

Roll up your sleeves and dive into the tactile world of relief printmaking! Artist Ian J. Welch leads this introductory workshop covering carving, inking, and printing techniques. Whether you’re brand new or looking to refine your skills, you’ll walk away with a finished print and a solid understanding of this traditional process. No prior experience needed—just bring your creativity and curiosity.

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Instruction Style: Demonstration | Guided Practice | Hands-On

Skill Level: Beginner

It Always Grows

Ian J. Welch

Textured monochrome print showing a dense cluster of branches with jagged cutouts, giving the impression of fragmented or eroded wood.

Opens Thu Jan 8, 6-8pm

On view January 8-29, 2026

Zabar Lobby Gallery

sponsored by Jag Gallery

Ian J. Welch reflects on the tension between human boundaries and the persistence of the natural world. Through printmaking, drawing, and handmade paper incorporating materials gathered from the landscapes he studies, Welch documents spaces in transition—both lush and scarred, naturally evolving and human-altered.

His work emerges from hours of on-site observation and photography, focusing on “liminal spaces” where multiple transitions occur at once: subtle shifts in vegetation, abrupt incursions of concrete or fencing, the layered marks of unchecked progress. The resulting images, printed in hand-pulled editions, meditate on our vulnerability to nature’s power and our own greed, while affirming the resilience of the living world. Whether framed or unframed, each work offers a tactile record of place and moment—reminders that nature always finds a way forward.

image: “Times Yet Seen” (intaglio with relief and serigraphy with papier colle, 12” x 12”, 2022).

Beneath the Surface

Tracey DeLellis

Five elongated ceramic pieces mounted on a wall, textured with wave-like and coral-like patterns in cream and turquoise tones.

Opens Thu Apr 2, 6-8pm

On view April 2-30, 2026

Zabar Project Gallery

Ceramic artist Tracey DeLellis translates the vivid colors, shifting textures, and quiet rhythms of Key West’s coastal landscapes into hand-built, high-fired sculpture. Layered glazes in oceanic blues, sandy whites, and weathered grays evoke coral reefs, tidal pools, and eroded stone—forms that feel at once familiar and abstract, grounded in close observation yet shaped by memory and intuition.

Each piece invites slow looking. Subtle cracks, asymmetries, and shifts in tone echo the fragile ecosystems surrounding the island. At once a personal meditation and a community offering, this exhibit encourages viewers to recognize the beauty and vulnerability that coexist along Key West’s shores.